At the weekend it was my parents’ wedding anniversary. They got married in Dar es Salaam and one of the distinguishing features of their wedding was the hockey stick “guard of honour” that their friends created for them outside the church after the service (my Mum played hockey for Tanzania). The family capability and Goan cultural propensity to excel at sport (take Seraphino Antao the first Kenyan athlete to win a gold medal at the 1962 Commonwealth Games) skipped right past me. Mostly I enjoy the social, political and cultural issues in relation to sport like the national anthems, the medals and the underdog winning. The recent completion of a PhD (yes really) has also given me some confidence and time to begin to explore questions like the neocolonial exploitation of African players by European football clubs and how raw materials in the form of players are sourced, refined and exported for consumption and wealth generation in Europe leaving the African periphery impoverished. But that’s another blogpost. This post is about racism and sport, but I needed to do a geneaological manouevre and trace my own relationship with sport through my experience of being a Goan via East Africa now resident in Aotearo New Zealand. I’ve mapped some of the ways in which sport has been mobilised such as the re-shaping of personhood for colonised peoples and in turn the ways in which western sport has been appropriated by diasporic and marginalised communities as a form of resistance. I then talk about the prevalence of racism in sport, the contributing factors and what can be done.

Photo of Goans in Dar es Salaam via Jo Birkmeyer-submitted to Mervyn A Lobo’s blog 

The establishment of sport in colonial contexts was linked with Western Christian church activity and colonialism. Sports were introduced to meet both the needs of churches and colonial governments in transforming bodies into desirable shapes and capabilities so imperial reform could be undertaken by locals thereby creating physical and moral reform against existing less palatable indigenous norms. Games like cricket and football were intended to reinforce the superiority of colonial culture and transmit a particular moral order and values that were seen lacking in the colonised group such as team spirit, commitment, the sacrifice of individual aspirations to the group, bravery and so forth. Particular versions of masculinity were also being promulgated in a context where many Asian men were seen as effeminate.

In the diaspora, Goans formed clubs and institutions replicating village ties and loyalties back home which helped to allay loneliness, cultural alienation and the challenges of navigating a new country. In 1921 it was estimated that almost half a million Goans lived in Goa, Dama and Diu and that up to 200,000 Goans lived in British India, East Africa or Mesopotamia (James Mills, 2002). One quarter of that number lived in Bombay. Expatriate sports confirmed ties with the homeland, created a sense of community and provided an oasis from the demands of navigating belonging in racially stratified communities. Every Saturday after mass at the Holy Family Cathedral in Nairobi my parents would make their way with us to the Railway Goan Institute founded in 1909 which later became the Railway Institute in 1967. I have great memories of hurtling around (we seemed to do a lot of running along those wooden floors) and being spoiled rotten by my parent’s friends who would provide us with bottomless supplies of coke and crisps. Goans in Kenya also formed other clubs like The Goan Institute Mombasa in 1901, Goan Institute Nairobi in 1905 and the Goan Gymkhana in 1936 with sports an important focus of diasporic life.

Closer to where I live now in New Zealand, Indians in Wellington formed their own hockey team in 1936, which also marked the year that the Auckland Indian Sports Club (AISC) was established.

Photo reproduced with permission from Te Ara. Original article: Nancy Swarbrick. ‘Indians’, Te Ara – the Encyclopedia of New Zealand, updated 1-Sep-11
URL: http://www.TeAra.govt.nz/en/indians/5/5

Many other communities also made sport a focus of their activities, for example the New Zealand Chinese Association Annual Sports Tournament (AKA Easter Tournament) started in 1947 and runs every Easter Weekend. It consists of a sports tournament and cultural event for Chinese members and competitive sports like basketball, volley ball, touch rugby, netball, lawn bowls and golf are enjoyed. Similarly pan-ethnic events like the Ethnic Soccer Cup at the Auckland International Cultural festival are eagerly awaited and full of good natured fun and tough competition.

Photo by the Localist

Sport seemingly offers a transcendent space, where cohesion and connection is possible not only within and across diasporic communities, but also across dominant and minority communities. A phrase bandied around frequently last year was the way in which hosting the Rugby World cup in New Zealand “brought us together as a nation”.  Who of us will ever forget the ferocious and irrepressible passion of the Tongan community in New Zealand supporting their team? I love the ideal that sport can be a place where people with diverse interests, histories and values can be unified in one setting. I’ve watched with growing feelings of warmth the ways in which our Pacific players have infused “the game” of rugby with flair and energy and increased the ratio of tattoos, dreadlocks and eye-liner.

This illusion that sport can be a connecting force is challenged in Sara Ahmed‘s critique of the “happy” multicultural film Bend it Like Beckham. Directed by Kenyan-born, Punjabi British filmmaker Gurinder Chadha, Ahmed suggests that the central message of the film is that “the would-be- citizen who embraces the national game is rewarded with happiness”. The feel good vibe of this film ignores the negative affects surrounding racism and unproblematically represents visibly different migrants as patriarchal, closed, traditional, fixed and unchanging. White people can be inspired and warmed by Jess’ migrant success, as she bends the ball (a metaphor for disrupting cultural barriers) without needing to feel guilty about racism. The film plays into the notion that success is the reward for integration and is also proof that racism can be overcome.

My fantasy that the arrival of the first Asian All Black will give Asians more street cred and admiration has taken a battering with the racist responses to the “Linsanity” phenomenon. Jeremy Lin, the Asian American son of Taiwanese immigrants and graduate of Harvard has experienced spectacular NBA basketball success but the headline “Chink in the Armor,” or the tweet by Jason Whitlock referring to “two inches of pain” have deeply hurt many Asian Americans. Understandable, given the limited representation of Asian Americans in mainstream media and because the blatant racism provided a barometer reading of how this group are viewed in a racially charged landscape. But as Long, Tongue, Spracklen and others have noted, we live in a racist society so why should there not be racism in sport? Racist taunts and chants at matches and the throwing of banana skins at players have been supplemented by attacks via social media adding a new viciousness. A Welsh student was recently been imprisoned for using twitter to spread racist rants about acritically ill footballer Fabrice Muamba and locally, unhappy fans took to twitter to racially denigrate Blues coach Pat Lam.

Sport media coverage contributes to inequity by not reflecting social and cultural diversity. The MARS – Media against racism in sport programme– developed by The Council of Europe and the European Union recognises the following inequalities in representation in sports news stories:

  • Gender under-representation -where women comprise only one quarter of all stories despite making up half the population.
  • Migrants making up around 10% of the EU population but representing less than 5% of the main actors in the news in Europe.
  • Lesbian, Gay, Bisexual and Transgender (LGBT) people representing roughly 6% of the population of the United Kingdom but accounting for less than 1% of the population seen on TV.
  • 20% of the British population has an impairment or disability but less than 1% are represented on British TV.

These inequalities in sports media coverage reflect broader societal inequalities. The New Zealand Human Rights Commission’s annual review of race relations Tūi Tūi Tuituiā, Race Relations in 2011 released in March 2012 noted a “continuing degree of racial prejudice, significant racial inequalities, and the exclusion of minorities from full participation in all aspects of society”. The Commission identified racial prejudice in the form of: “negative attitudes to the Treaty, to indigenous rights, to Māori, Pacific peoples, Asians, migrants and refugees”. The report noted that these prejudices were implicated in discrimination, marginalisation, and inequalities, ultimately proving a barrier to the realisation of the social and economic benefits of diversity.

The racist soup of Pakeha media culture not only excludes particular groups but it also reproduces pathological, deficient and destructive representations of groups that are already discrimiinated against and marginalised. Take the “common sense” racism of Paul Henry, Michael Laws and Paul Holmes who all compete for New Zealand’s top racist.Take the comments by the former All Black and World cup Rugby Ambassador Andy Haden, who referred to a “three darkies”selection policy by rugby franchise The Crusaders. When Haden made an apology it was “to anyone who was offended” by the comments. He received a smack on the hand with a wet hanky from our Prime Minister John Key despite the outrage and I don’t think he had to resign. Key defended Haden’s actions as having a precedent in Paul Holmes‘ “cheeky darkie” comments in 2003. The gutless and useless Broadcasting Standards Authority refused to uphold 10 complaints over the  comments on Radio station Newstalk ZB. They acknowledged that the comments went beyond the limits of acceptability and breached broadcast standards, but they were happy that the actions taken internally by broadcaster were adequate. Thank goodness for writers with a conscience like Tapu Misa who is my only reason for continuing to purchase the morning newspaper and the long missed Karlo Mila from the Dom Post who can still remind us through her poetry that words scar.

Poster by Dudley Benson (2012)

Where there is power, there is resistance (Thanks Foucault). Racism (and anti-Semitism) in sport have also provided a space for protest and resistance. American sprinters Sam Stoller and Marty Glickman who were the only two Jews on the USA Olympic team, were pulled from their relay team on the day of the competition in the 1936 Berlin Olympics,. There was speculation that the American Olympic committee did not want two Jews to win gold medals in the context of Nazi Germany and Hitler’s Aryan pride. These are the same games where Jesse Owens won four gold medals.  Fast forward to the 1968 Olympics when Tommy Smith and John Carlos powerfully raised their fists on the podium in a Black power salute. The symbolism of this gesture referenced the black American community (black gloves); black American poverty (black socks, no shoes), black American lynching (Smith wore a scarf and Carlos a bead necklace).

Source Jonny Weeks:The Guardian

Closer to home, look at the stand many New Zealanders took against the Springbok rugby tour of 1981. 150,000 people took part in over 200 demonstrations in 28 centres and 1500 people were charged with protest related offences. The protests were in response to New Zealand opposition to the apartheid and segregation practiced in South Africa. These apartheid policies had impacted on team selection for the All Blacks, and Māori players had been excluded from touring South Africa by the New Zealand Rugby Football Union (NZRFU) until 1970. I take my inspiration from this event that “New Zealanders” might take their history into account and challenge the unacceptable comments against Pat Lam and show leadership over such behaviour.

So what are we to do about racism in sport? How can we use the values of sport, ostensibly fairness, teamwork, a fair go, equal opportunity, respect and care for each other to help us create a real level playing field, locally and globally? We can protest the sponsorship of the London Olympics by Dow (Union Carbide was merged into Dow and responsible for the tragedy at Bhopal not least 25,000 deaths and much much suffering). We can ask much more of our junk food media and not consume it as Jennifer Sybel suggests.  We can ask that the groups in our communities that are under-represented (disabled, women, LGBTQ, visibly different) get a fairer go and that  stories that purport to represent them contribute positively to our cultural and social diversity. We can take more responsibility for the actions of racist tweeters and taunters and recognise their actions come from consuming the same junk food media that we do. Rather than individualising their behaviour we can ask questions about what kind of playing field we have created and whether we want to put any effort into creating an alternative.

Illustration by Jim Sillavan for the Guardian

 

 

Multiculturalism has acquired a quality akin to spectacle. The metaphor that has displaced the melting pot is the salad. A salad consists of many ingredients, is colorful and beautiful, and it is to be consumed by someone. Who consumes multiculturalism is a question begging to be asked.

Angela Y. Davis (1996, p. 45)

WOMAD main stage, March 2012

The New Zealand summer has ended, and as Autumn deepens there are a flurry of festivals making the most of sunshine hours and daylight saving before we turn to insular hibernation modes. In the last few weeks I’ve been to WOMAD in New Plymouth, Pasifika and the International Cultural festival in Auckland and a few smaller low key community functions. I’m interested in whether food and festivals, which are such visible and public celebrations of ‘culture’ (and especially culinary cultures) are anything more than what Duruz calls the appropriation of difference by a greedy white consumerist society.

The pretext of a cultural festival is that there is an ‘us’ and a ‘them’, a national culture and an alien culture.  Migrants then are people who try and enter something that has ostensibly already formed into something and solidified (that’s why it feels like you are banging your head against a wall when you can’t get a job, because it really is a wall or a bamboo ceiling). This imagined sameness might not be very clearly articulated by the dominant culture, but everyone knows what does and doesn’t belong. If you don’t know, the media or a politician will tell you. The latter are renowned for either demonising or exoticising diversity. Festivals as less scary manifestations of diversity bring out enthusiasm, as Mayor of Auckland Len Brown speaks about the Auckland International Cultural festival (made up of dance and musical performances, an Ethnic Soccer Cup and over 100 stalls of ‘traditional’  food): ” …a fantastic celebration of Auckland’s ever-growing cultural diversity …which highlights the dynamic contribution people from other cultures bring to our wider community, and to New Zealand. Come along and sample the many sights, sounds and tastes of Auckland diversity.”

Monte con Huesillo: Chilean drink of dried peaches and wheat

The celebration and sampling of this dynamic contribution can be read as an enabler of social cohesion and community building. As Uma Narayan points out, the combination of prejudice, neighborhood and occupational stratification and segregation can mean that we have very little do do with members of other ethnic groups beyond seeing them as service providers to the detriment of “collective possibilities”. The public consumption of food is a great mechanism for intercultural exchange. The sensual enjoyment of the food of others can help us gain an appreciation of them as part of our communities even if we don’t know very much about the cultural context of the food.

The aspect of consumption that is on display also has a ‘feel good’ aspect. Where the media and its three stooges (Paul HenryMichael Laws and Paul Holmes) often lead us to view migrants (and Tangata whenua and several generations of Pacific peoples) as a political threat to the integrity of the ‘host’ white settler Pakeha nation. Festivals tame diversity into a strategic asset, that is managed and displayed for people to witness and enjoy. The elephant in the playing field or park though are the unanswered questions of racism and exclusion. The safe packaging inherent in festivals, where people embody their culture in a display allow ‘us’ to feel good about our city and the presence of ‘others’.  This low impact kind of engagement has very little performance pressure and even less demand for any kind of accountability or responsibility. Culture can be celebrated rather than acted upon as Arun Kundnani quips.

Hungarian Langos (Fried Bread) with a topping of pesto, tomato and feta-Yum!

The pleasures of consumption make diversity appealing, something to be shared and enjoyed as Sara Ahmed notes.  The consumption of ethnic food points to a desire to consume difference through appropriation of food and tradition as exotic, where ethnicity becomes spice for mainstream culture, losing its own legitimacy in the process. Instead of engagement, the other is consumed. Consuming diversity gets translated into ‘eating the other’. Heldke talks about a kind of “cultural food colonialism” where the food being cooked and eaten comes from economically dominated countries of the ‘third world’. Culture is there for the taking and “something to be be enjoyed, consumed at will and with discernment by the liberal subject.”. The new marker of sophistication is the latest ethnic restaurant find, a marker of street credibility and sophistication. Reflecting a desire for novelty and a sense of entitlement.

This differs to how might I think of food and festivals, as a diasporic subject. For me attending the cultural festival and more low key community events creates is a way of being at home in the context of a community far from ‘home’, being able to express aspects of my life that don’t often get a public viewing. As Ghassan Hage points out, cooking and eating familiar food is a way of making a home in the present. Food represents comfort, enjoyment, social life, memories and stories. As someone whose food choices were derided until they became fashionable (why did it take so long for curries to become popular in New Zealand? and what is wrong with tongue sandwiches anyway?). The advent of cultural food colonialism inflicts an old pain, food shapes us physically and emotionally, creating possibilities for enjoyment and pleasure. However, we must be mindful that power relations accompany our consumption choices and have implications for how we are to live in a multicultural society founded on biculturalism.

Cartoonist Alexyz and the author in Auckland at an exhibition of his work with members of the Goan community. February 2012.

So how do we reconcile these diverse ways of looking at food and its consumption? Perhaps we can use the gustatory pleasures we experience to build more powerful bonds between us as Uma Narayan proposes. These pleasures can have more power than intellectual understanding or knowledge. The sensual pleasures of food can counter our physical alienation in the unpressured form of contact that a festival allows. Perhaps the journey to greater openness and acceptance and building of bonds begins at the venue where we eat the food where we can be provoked into a process of reflexivity  and begin to care for the cooks as much as we are willing to enjoy the food.

 

I was honoured to be invited by the African Community Forum Incorporated to attend and speak at an event on March 10th 2012 to celebrate International Women’s Day. I have written elsewhere about my links with East Africa. Briefly, I was born in Tabora Tanzania and lived in Nairobi, Kenya until the age of ten, when my family migrated to New Zealand. Originating from Goa, India, both sets of grandparents moved to Tanzania in the late 19th Century and both my parents were born there. Until moving to New Zealand I was fluent in both Swahili and Maragoli.  The African part of my identity rarely gets the opportunity to play, so I was thrilled to attend the event.

 

Indians in Africa

Many people might be surprised to know that the Indian connection to Africa goes back three thousand years. Indians were traders and later sojourners. The British indentured labour scheme which replaced slave labour, ushered a new era of cheap and reliable labour for plantations and the building of railways. The construction of the great railway from Mombasa to Lake Victoria in Uganda in the late nineteenth century brought fifteen thousand (of the sixteen thousand) workers or ‘coolies’ from India. Tragically one quarter of them died or returned disabled (Sowell, 1996). Indians (especially Goans) were also recruited to run the railways after they were built (as my grandparents were) and Goans came to dominate the colonial civil services.

Africans in New Zealand

The history of African migration to New Zealand is much more recent. Te Ara online encyclopedia notes that the first black African in New Zealand was travelling on James Cook’s second voyage as a servant (no name is provided) and later killed by Maori in 1773. The 1871 New Zealand census recorded 34 people who were born in ‘British African Possessions’ and another 31 from other African countries. The 1911 census recorded 92 African-born people. However, these African born people were likely to have been white given the mobility of white settlers through the then British Empire. The 1916 census recorded 95 “Negroes” referring to African Americans and six African born people, four Abyssinians (Ethiopians) and two Egyptians. The Colombo Plan saw the arrival of Black Africans as students in the 1960s, some of whom remained in New Zealand and had families. During the 1970s two groups of Africans arrived in New Zealand. White Rhodesians who were escaping from the war and two hundred Ugandans (not sure if they were all Asian Ugandans) who were ejected by Idi Amin. The number of African born residents (mainly from Commonwealth countries) increased to 3,939 Africans by 1986, but again were mainly white. It was not until the changes in migration policy of 1987 that there were significant demographic changes as a result of the development of a formal refugee quota  which saw arrivals especially from Ethiopia (1991-3), Somalia (1992-4), Rwanda (1994) and the shift to a migration points policy which saw a greater number of African people coming New Zealand as migrants. The 2006 Census 10,647 or 0.3% of the population identified as African. 4,806  Africans reside in Auckland and 5,841 outside of Auckland. In the 10 years between 1991 and 2001 the number of women from African countries increased considerably with numbers of women from South Africa, Zimbabwe and Somalia more than quadrupling in that time (Statistics New Zealand, 2005).

The growth of the African community is an exciting development and the event organised by ACOFI was a fantastic celebration of Pan-African culture and the vitality and energy of the community. I look forward to taking part in more events and improving my now very rusty Swahili! By the way, the art work is from a drawing competition run on the night. My big thanks to all the organisers especially Carlos Carl, Boubacar Coulibaly and Sharon Sandra Paulus and all the people that worked hard to make the event happen.

Women are more likely to develop emotional problems after childbirth than at any other time in their lives and the life time prevalence of major depression in women is almost twice that of men (Kohen, 2001). According to Lumley et al. (2004), one out of every six women experiences a depressive illness in the first year after giving birth. Thirty per cent of those women will still be depressed when their child is two years old. Of those women, 94% report experiencing a related health problem. Women who experience problems in the early stages of motherhood also report problems with their relationships, their own physical health and well-being. Women report that a lack of support, isolation, and exhaustion are common experiences.

Several years ago I was approached to develop a new brochure about Women’s perinatal mental health (given my expertise as as a clinician and educator in maternal mental health) for the New Zealand Mental Health Foundation who were partnering with EGG maternity a New Zealand company specialising in maternity wear. In developing the brochure, my partner and I consulted widely with consumer groups, mothers, fathers, health professionals in order to ascertain what would be the most important and clear information we could put inside the brochure. This was the end result:

The PND brochure has become widely available, it is included in information packs given to new mothers by Plunket, available from the resource centre at the Mental Health Foundation, the Foundation website and EGG maternity boutiques in New Zealand.  It has been one of the most requested brochures ever with 33,800 sent out in 2011 alone.

Women who have a baby in a new country and are separated from their support networks and special perinatal customs (including special foods, nurturing, rest and household help) through migration can experience isolation and postnatal depression.

For the Year of the Dragon this brochure has been translated into Chinese by Kai Xin Xing Dong -a public education programme aimed at reducing the stigma and discrimination faced by Chinese people who experience mental illness. Funded by the Ministry of Health, the project aims to raise mental health awareness in the Chinese community and to counter stigma and discrimination.

See here for other PND resources

This Sunday I’ll be doing a Picnic lecture where I’ll be sharing stories from nurses and migrant mothers from my PhD to discuss how well intentioned activism can become a form of oppression. The lecture will be held in the Albert Park rotunda in Auckland on Sunday 1st April at 3pm and is linked with Te Tuhi’s What do you mean, we? exhibition which brings together an international selection of artists to examine prejudice.

The kinds of questions that my work has been concerned with are:

  • What subjectivities and beliefs and values are being reproduced when a woman has a baby in neoliberal Aotearoa New Zealand?
  • How does a maternal health care system provide services for birthing women whose subjectivities have been partially or significantly formed outside a white settler nation context and specifically outside the colonial dyad of settler and indigenous?
  • Do the policy rhetoric of biculturalism in response to Treaty of Waitangi obligations and the requirement for culturally competent practice actually improve the care migrant mothers receive?
  • Do the liberal feminist aspirations for birth as an empowering experience extend to women outside the world of white middle-class feminism?

In almost thirty years of being a nurse I’ve learned that what one person thinks is helpful can be coercive to another. “Help” is complex, raising questions such as: how has the helper negotiated the relationship? Does the helper understand the problem? Do the people being helped agree with the helper’s framing of the problem? There is also the issue of power in the helping relationship. How did the helper get the power to help? What access to resources and knowledge does the helper have? Does helping disempower the helped?

The film and campaign KONY 2012 by Invisible Children and directed by Jason Russell about the Lord’s Resistance Army (LRA) led by the “monster” Joseph Kony has generated passionate pleas from a range of “friends” to support the “people” of Uganda. I am excited about the democratisation of information through social media, but I’ve been frustrated that this video has made us all “experts” about Africa. There is a bigger social and political backdrop to this story which has been tracked by Blackstar news and Akena Francis Adyanga.

My concern with this video is that it valorises the story being told by Invisible children (and other white people) at the expense of African leaders, without access to the same power structures or resources. The  documentary repeats the colonial imperative for Africa to be saved by white people. This video smacks of yet another colonial “civilising” project,  where the old binaries of colonialism are revived. These frame Africa as backward, while the west is modern; “we” are positioned as free while “they” are oppressed and so on. In this binary of good and bad, Africans are represented on the not so good side of the binary. Therefore, the solution must be a good one, a white one, and in this hierarchy Africans lose out. Local efforts and voices go unacknowledged in favour of the white saviour complex, which as Teju Cole suggests “supports brutal policies in the morning, founds charities in the afternoon, and receives awards in the evening”. Even the name  “Invisible Children” as the Sojourner project points out “denies and co-opts the agency of Ugandans – many of whom have organized to protect child soldiers”.

I have a stake in this propaganda video on several fronts. One is my personal experience of being born in Tanzania to parents who were also born in Tanzania and and having two sisters who were born in Kenya. My own life has been shaped by three versions of colonialism: German, Portuguese and British, and continues to be shaped by colonialism’s continuing effects in the white settler nation of Aotearoa/New Zealand. Secondly, in my doctoral studies, I investigated the colonial legacies of health and nursing in the context of migrant maternity. My profession of nursing is not only an altruistic and caring enterprise, but is also complicit with biomedicine in the advancement of colonialism and imperialism. Medicine has used imperial claims to modernity and universalism, while the concept of “health” has in turn has lent moral credibility to the colonial enterprise. Consequently, one of my theoretical and political commitments is the resistance to imperial cultural analysis. I abhor the white saviour narrative, where vulnerable children or women of colour must be rescued from men of colour by “culturally superior” white men or women.  We need less individualising narratives, where the full social, political and historical contexts of a situation can be considered.

So what does a process such as colonialism have to do with this video? European colonialism put in place hierarchies of superiority/inferiority and structures of domination and subordination. The conquest and control of other people’s land and goods has recurred throughout human history, but European colonialism in the 19th century allowed for the growth of European capitalism and industry through the economic exploitation of raw materials, cheap, indentured or slave labour and profitable land in the colonies. Profits always returned to the imperial centres. Domination and authority were supported by defence and foreign policies and internalised so that ordinary “indeed decent men and women accepted their almost metaphysical obligation to rule subordinate, inferior, or less advanced people” (Said, 1993, p.10). These imperial ventures were justified on the basis of developmental and pedagogical notions of progress and improvement. They created the template for contemporary production under globalisation. So none of us are outside of or immune from postcolonial relations, values and belief systems whether our ancestors were colonisers or colonised. We are all influenced by colonialism.

Narratives produced about the colonies have historically defined the West in contrast with the “Orient”. The Orient was represented in a denigrating and negative way, in order to represent a civilised and positive Britain. Generalisations were made about groups of people who were treated as a homogenous mass (rather than communities of individuals) about whom knowledge could be obtained or stereotypes created – for example ‘the inscrutable Chinese’. The video plays into this oppositional dichotomy of “us” and “them”, constructing two social groups as distinct and internally homogenous. It begins with a sense of connection, it targets our desire to belong and connect by talking about social media, emphasising what we have in common. However, the “we” that it refers to is white. The video then moves to the “other” and the mobilisation of social movements that social media allows in the form of the Arab Spring. The director Russell then shares a very personal experience of the birth of his son and how his son takes part in his father’s film work and activism. The son embodies Russell’s desire for a better world than the one he came into “because he [my son] is here, he matters”. Russell then takes us to Uganda and the experience of another young man who has had a different life from that of his son. A young man who has experienced loss and unimaginable suffering, who has no future because of Joseph Kony. Russell says something like “you mean this has been happening for years? If this happened in America for one day it would be on the cover of Newsweek”. How can we fail not to be moved? Rusell takes us through the journey he makes with his friends of trying to raise the attention of the United States government of the plight of this young man and eventually through the advocacy and donations of lots of young people who donate small amounts of money every month, the government takes action. Of course this might have nothing to do with the fact that oil was found in Uganda in 2009. Russell in his voice over says they did not wait for governments, they’ve built schools, created jobs, created warning systems to keep people safe. All funded by young people.  Russell invokes liberal humanist arguments (the very ones that were central to colonial capitalism) about the right of the individual to have a good life. As Teju Cole righly points out “the White Savior Industrial Complex is not about justice. It is about having a big emotional experience that validates privilege”.

The video enacts the binary colonial script of the civilised and liberated white person who rescues Ugandan children, thereby affirming the superiority of the former. Russell reproduces the narrow representations of people of colour as a mass of oppressed people who live in a world without freedom, ruled by oppressive vain tyrants (oops that sounds like the West!). He reproduces a flattened and familiar “single story” of Africa. As Chimamanda Ngozi Adichie says “the single story creates stereotypes, and the problem with stereotypes is not that they are untrue, but that they are incomplete. They make one story become the only story.”  In the process, the complexity and diversity of people’s lives are lost and local activism is hidden from view in favour of camera crews with resources and magnanimity. Think about Binyavanga Wainana’s essay, How to Write about Africa:

Never have a picture of a well-adjusted African on the cover of your book, or in it, unless that African has won the Nobel Prize. An AK-47, prominent ribs, naked breasts: use these. If you must include an African, make sure you get one in Masai or Zulu or Dogon dress

The effect is that we focus on the other, instead of looking at the monsters in our own communities. Rather than offering our support to the efforts of indigenous people who are quietly attempting to right wrongs without a television camera present, we get carried away in a tide of righteous indignation about “stopping the monster”.The video provides a depository for our own feelings of powerlessness and frustration. It demands very little of us. We don’t need to be accountable to a faceless mass, because we can trust Russell, we’ve seen the birth of his boy child, we’ve seen him in his kitchen, we’ve seen him in the family bed with both his children. He is trustworthy. Never mind facts such as Kony is no longer in northern Uganda, that the Ugandan army have also contributed to the violence meted out to civilians, that General Museveni used child soldiers way back in 1986 or that only 31% of funds that Invisible children receive go into this charity work.

So what does helping really mean in a different social context? How does sharing a link to a video to an organisation that is barely transparent about its funding, that uses the bodies of children to make a point, that carries us away with the injustice of it all, help? How does the fact that the focus now in Northern Uganda is about repatriating child soldiers who are being held in DRC, Sudan and the Central African Republic, on postconflict rehabilitation and the reintegration of child soldiers? What impact will this film have on former child soldiers who have now reintegrated into  their communities? Can something with good intentions lead to misconceived interventions? Hell yes! The history of modern Africa is replete with aid failures and poorly allocated resources.

I am not against standing up and fighting for what is right, but only when we really understand what we are standing up for, not on “zero knowledge and maximum hysteria” as Elliot Ross argues. So we must make the most of this technology that is available to us and to critically interrogate the sources of this new media, their motivations and their operations . We need to do the research, to ask questions about our own complicity in contemporary geopolitics and to support the people who understand the problem.

Originally published in: DeSouza, R. (2010). New mothers in a new land: Indian migrant mothers talk. In S. Bandyopadhyay (Ed.), India in New Zealand: Local identities, global relations (pp. 207-217). Dunedin: Otago University Press.

Ethnic identity and acculturation become important issues in the transition to parenthood. The birth of a child presents parents with the opportunity to consider what values are important to them and whether they will look to the future or the past (or both) to determine what will sustain them in their role as parents and nurture their newborn to adulthood. This sifting process involves parents interpreting and accepting or rejecting the values, beliefs, and practices from both their heritage culture and their current community.

Migrant Indian mothers play a pivotal role in such negotiations. This chapter presents research findings from a study on the maternity experiences of Indian migrant women living in Auckland, New Zealand in late 20062. It begins with a brief discussion of the literature around the process of acculturation and its influence on Indian health and maternal health in particular. It then looks at the inherited beliefs and practices that shape the maternity experiences of Indian mothers, especially the centrality of motherhood to identity, and the idealisation and rewards of self-denial and good behaviour. Finally, the chapter discusses the study’s findings. These exemplify how motherhood is idealised and viewed as a socially powerful role among immigrant Indian mothers, and that these mothers have also taken on the messages of New Zealand models of motherhood (and parenting in general) where self-monitoring is required in order to be ‘a good mother’.

Hot off the press! I’ve just had this chapter on power relations published in S. Shaw, A. Haxell & T. Weblemoe (Eds.), Communication and lifespan development. Melbourne: Oxford University Press

Many practitioners see themselves as apolitical and powerless, particularly with regard to their relationships with the structures of medicine and management. However, in reality practitioners are powerful both as individuals and as members of the groups with which they identify. The structures and cultures within which most health and disability practitioners exist and work are based on beliefs and practices that constrain autonomy. These constraints are at work through a number of mechanisms, such as the market, the infusion of targets and performance measures and quality programmes (Newman & Vidler, 2006). In addition, the changing role of consumers or service users from passive recipients of care in the past to people who may be informed, empowered, articulate and ‘demanding’ poses a threat to the ‘knowledge–power knot’ on which professional power rests.

When practitioners view themselves as people who are doing good, they tend to lack awareness of their complicity and embeddedness in relations of power that structure inequality. Yet, power is embedded in everyday practices and interactions (Bradbury Jones, Sambrook & Irvine, 2008). Practitioners within the wider health and disability sectors contribute to social regulation through their roles as employees of the state. They enact government policies for the benefit of the health of the citizens of the state; so they are both governed and governing. Members of recognised professional groups are provided with a moral authority by their capacity to define problems and pose solutions, and their role in defining and evaluating good or normal behaviour and health practices through surveillance of the population and the criteria for interventions on behalf of the state (Gilbert, 2001, p. 201).

These ambivalent relationships with power that are evident among health professionals require exploration. This can be done by considering the various ways in which power is conceptualised and the micro and macro definitions of empowerment. Some shifts in power have occurred in the last few decades, largely influenced by various social movements. Maternity and mental health are two particular examples of professional practice and service delivery in which power can be recognised and ideas of empowerment can be translated meaningful engagement between service delivery and those who engage with the service.

Originally published in:  DeSouza, R. (2011). ‘All of me meets here, an alchemy of parts’ – Negotiating my identities in New Zealand. In P. Voci & J. Leckie (Eds.), Localizing Asia in Aotearoa (pp. 231-245). Wellington: Dunmore Publishing.

He could not see that i could be both … The body in front of him was already inscribed within the gendered social relations of the colonial sandwich. i could not just ‘be’. I had to name an identity, no matter that this naming rendered invisible all the other identities of gender, caste, religion, linguistic group, generation (Brah, 1996, p. 3).

Introduction

The title of this chapter comes from a poem by Chris Abani (2000) whom I met many years ago at the Poetics of exile conference. This line from the poem captures the intention of this chapter, to bring parts of myself together. I am often asked the question ‘where are you from?’ Depending on the person asking, it can imply that I have come from somewhere else, not here; that I am visibly and noticeably different; and sometimes reflects a desire on the part of the person asking to either connect, name or categorize. For the sake of economy, choosing one identity and keeping things simple inevitably backfires. answering Tanzania, the country of my birth, and that of my parents, or Goa, India, the place of my ancestors, results in more questions. The question has different nuances in the place of my ancestors and in the place where I choose to live: Aotearoa/New Zealand. Being asked where one is from more easily translates to ‘whom do you belong to?’ and the reference points are intimate, connecting me to a village and to a family. In Māori contexts, similar notions of belonging to place and people are invoked, where intimacy and connection rather than categorization are emphasized. such a question highlights issues of identity, difference and belonging. The process of active negotiation of identities in relation to oneself is the focus of my chapter. I centre on a little-known minority group within a larger indian umbrella identity – the Goan diaspora living in New Zealand. My aim is to provide a complex answer to the question of where I am from and, in doing so, provide a platform for further scholarship about the Goan diaspora in New Zealand.

 

The Decolonise Your Minds! Hui on February 5th in Tamaki Makaurau, Aotearoa provided a great opportunity to present my PhD work to awesome folks with similar theoretical and political commitments. Outside a professional or academic context and supported by fabulous vegan food and great korero and creativity, the radical space provided a great opportunity to not have to explain everything!

In my presentation, I talked about the ways in which the people who are supposed to care in institutions can engage in subtle coercions and “do” violence. This violence works through the reproduction of taken for granted norms and values, such that pressure is exerted on those whose personhood sits outside the accepted norms and values and reshapes their personhood. Reflecting an assimilatory process similar to the colonial process of moral improvement. Hardly a surprise considering that institutions like health and education are colonial, having been transplanted from the metropole to the colony and super-imposed over indigenous ways of learning and maintaining health.

Using the example of maternity I talked about the ways in which heath professionals draw on culturally and socially available repertoires of care that can be less than helpful when imposed on women of colour. This is because so often these repertoires are drawn on the basis of an implicit ideal user who tends to be cis-woman, heterosexual, white, middle class and one who takes up the ‘imperative of health’. That is the ideal neoliberal consumer who makes herself an expert through her consumption of self-help books and its acceptable accoutrements, who takes responsibility by attending ante-natal classes and who labours naturally with her loving and supportive partner present. She obeys the edicts of the health professional and makes reasonable requests that align with the dominant discourse of maternity as an empowering experience (if you are “informed” and “take responsibility”).

You can listen to the audio which is hosted by the Pride New Zealand website. I take the audience through the idea of discourses and how they shape subjectivity and practice.

Please note I have a tendency to swear when I am speaking passionately about something!